Interruptions
INTERRUPTIONS Sonda 2008, edition of 1000, soft cover, perfect bound, 18.7 x 26.5cm, 116pp. 105 ill. in colour, price £15.00 + postage/packing. (With text contributions from Tim Stephens and Lars Fynbo).
A photo-based sequence, the book aims to visualize a zone of exchange between subjective and objective reality:
‘There is a high probability that each of the interruptions in this book exists in reality, that is to say, that their construction does not arrive by way of some fantasy.
Interruption, in this sense, may indicate that some information has been added, or, on the contrary, concealed. An essential component of the communication is withheld or amplified; permanently locked in the image, so that the information is not subject to decay, nor to the vagaries of time.
(Though The Book Grows Old).
The narrative does not pass through a ‘half-life’,
like the diminishing emissions of radioactive materials. Instead it is free to circle in a space unfettered by the need for precise conclusion or resolution.
There are values outside of that normative whereby information is obliged, ultimately, to manifest itself in an expensive commodity.
Instead there may be advantage in seeking value from immersion, for example, in a language which one only half understands, or the intermediate state of the daydream.
In such, (mildly oceanic) or similar states,
knowledge and information coalesce with the qualities of instinct and intuition’.
A photo-based sequence, the book aims to visualize a zone of exchange between subjective and objective reality:
‘There is a high probability that each of the interruptions in this book exists in reality, that is to say, that their construction does not arrive by way of some fantasy.
Interruption, in this sense, may indicate that some information has been added, or, on the contrary, concealed. An essential component of the communication is withheld or amplified; permanently locked in the image, so that the information is not subject to decay, nor to the vagaries of time.
(Though The Book Grows Old).
The narrative does not pass through a ‘half-life’,
like the diminishing emissions of radioactive materials. Instead it is free to circle in a space unfettered by the need for precise conclusion or resolution.
There are values outside of that normative whereby information is obliged, ultimately, to manifest itself in an expensive commodity.
Instead there may be advantage in seeking value from immersion, for example, in a language which one only half understands, or the intermediate state of the daydream.
In such, (mildly oceanic) or similar states,
knowledge and information coalesce with the qualities of instinct and intuition’.