richard schofield
  • Home
  • THE FLOCK
  • Project AK-HD ETCETERA
    • ANIMAL KINGDOM--HUMAN DOMINION
    • architecture of sleep
    • degraded map (& Map of Degradation)
  • projects
    • series A
    • series B
    • series C
    • series I
    • series D
    • series E
    • SERIES F
    • SERIES G
    • SERIES H
  • BOOKWORKS
    • It Could Be
    • Uproar
    • Forgive Me My Small Vandalisms
    • Interruptions
    • Later, Perhaps
    • A Space Between Utopia and...
  • SOUND/MUSIC
  • WORD OR TWO
  • WHO?
  • SHOP
    • Animal Kingdom-Human Dominion
    • Architecture of Sleep
    • DEGRADED MAP (& Map of Degradation)
    • bookshop
  • LECTURES
    • TIME LECTURE
    • SILENCE LECTURE
    • RUINS Lecture
  • Contact
Next
Previous

Ref:
Date:
Location:
Photographer:
Next
Previous

Ref:
Date:
Location:
Photographer:
Night for Day #1 (2009)

Night for Day #1 (2009)

Night for Day #2 (2009)

Night for Day #2 (2009)

Night for Day #3 (2009)

Night for Day #3 (2009)

Night for Day #4 (2009)

Night for Day #4 (2009)

SERIES G

NIGHT FOR DAY

Or maybe Day for Night, being
a (or various) technical process(es) whereby night scenes for cinema films can be shot-by-day.
In this way, Jon Voight's character in 'Deliverance' (John Boorman 1972) sits exhausted on a cliff-top under an acidicly glaring sun which burns like magnesium through the make-believe gloom. The tension seems to increase as a result of the fake obscurity.
Follows on from Pure Floor as a similarly disorientating veiling of reality. Adverse light conditions force us to narrow our eyes and to seek artificial forms of protection or illumination.
Powered by Clikpic